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空艺术丨大卫·歌诗坦 透过雕塑的金属骨架呼吸
2017年4月22日，以色列艺术家大卫·歌诗坦（David Gerstein）在中国的首次个展《层像Layers》在北京今日美术馆3号馆1、2层开幕。展览展出了大卫·歌诗坦十年来创作的近百件剪切式雕塑，缤纷的色彩、贴近生活的题材呈现出无限的生命力与感染力。
In April 22, 2017, the first solo exhibition of Israeli artist David Costan (David Gerstein) in China was opened on the 1 and 2 floors of hall 3, hall of Today Art Museum in Beijing. Hundreds of pieces of sculpture exhibition shearing David Geshitan ten years of creation, the colors and the life theme presents boundless vitality and appeal.
“层像Layers”展览现场
"Layer like Layers" exhibition site
大卫·歌诗坦1944年出生于以色列耶路撒冷，以色列公共艺术家和雕塑家，也是以色列最具影响力的艺术家之一。他一直探求扩展绘画的边界，增加绘画的第三个维度——纵深的「剪切式雕塑」，是他为此进行的开创性尝试。
David Geshitan was born in 1944 in Jerusalem in Israel, the Israeli public artist and sculptor, is one of the most influential artist in israel. He has been exploring the boundaries of expanding painting and increasing the third dimensions of painting - the deep "shear sculpture", a pioneering attempt by him to do so.
Bicycle Riders,Taiwan,2014
Bicycle Riders, Taiwan, 2014
Momentum, Singapore, 2008
Momentum, Singapore, 2008
1987年，大卫·歌诗坦在以色列博物馆举办首次大型个展，“歌诗坦剪切式雕塑”为世人所熟知。大卫·歌诗坦年轻时曾在以色列、巴黎、纽约、伦敦等地著名艺术院校深造，他不为迎合市场需要而创作，也不故作姿态地炫耀艺术的深刻。而是从童年记忆和个人经历提炼主题，关注日常生活，用平实的视觉语言表达对艺术的敬畏、对生命的理解、对人性的热爱。
In 1987, David Geshitan at the Israel Museum held the first large-scale exhibition, "Geshitan shearing sculpture" known to the world. David Geshitan when he was young in the famous art colleges in Israel, Paris, New York, London and other places to study, he created not to meet the needs of the market, did not show the profound artistic posturing. It is to extract themes from childhood memories and personal experiences, to focus on everyday life, to express fear of art, to understand life and love for humanity in plain language.
A Peloton Wave,Taiwan,2014
A Peloton Wave, Taiwan, 2014
Riders, Taiwan, 2015
Riders, Taiwan, 2015
以色列户外雕塑
Israeli outdoor sculpture
关于在中国的首次个展，空艺术对话大卫·歌诗坦
On the China the first exhibition, empty art dialogue David Geshitan
艺术家大卫·歌诗坦
The artist David Geshitan
空艺术：以色列是个怎样的国家？在大家的印象中，从三教圣城耶路撒冷到预言世界的死海古卷，从永不陷落的马萨达到挥洒着文艺气息的特拉维夫，这个国家似乎融合现代精神和古代文明。
Air art: what kind of country is Israel? In everybody's impression, from the holy city of Jerusalem to the world religions prophecy Dead Sea scrolls, from never fall to sway Felipe dramas in Tel Aviv, the country seems to be the integration of modern spirit and ancient civilization.
以色列1948年建国，直到1967年全面占领耶路撒冷后，整个国家都有很大转变吧？相应在艺术上又如何？你又如何选择了艺术道路？
Since the founding of Israel in 1948 and the overall occupation of Jerusalem in 1967, the whole country has changed a lot? What is the corresponding art? How do you choose the art road?
大卫·歌诗坦：以色列是个神奇的国家。我的父母是从波兰回归到以色列，我出生在耶路撒冷，在以色列建国前四年，可以说是新以色列国的第一代人。以色列从建国到现在经历了很多转变，我们国家不大，但有来自世界各地不同种族信仰的人们共同生活于此。以色列的艺术也非常多元和丰富。而耶路撒冷和特拉维夫这两座城市尽管相距不远，但艺术环境却大相径庭。
David Geshitan: Israel is a magical country. My parents returned from Poland to Israel, and I was born in Jerusalem. In the four years before the founding of Israel, I could be said to be the first generation of new State of Israel. Israel has undergone many changes from the founding of the people's Republic to the present, and our country is not large, but there are people from different ethnic beliefs around the world. The art of Israel is also very diverse and rich. Although the two cities in Jerusalem and Tel Aviv are not far from each other, the artistic environment is quite different.
白色希望, 2009
White hope, 2009
马拉米购物区（局部）, 2016
Marami shopping area (part), 2016
说到我的艺术道路，其实我的家庭与艺术几乎没有联系，我的父亲是一名皮革工人，我少年时曾在他的皮革工作室里帮忙。多年后，当我思考为何创作和剪切各种形状和人物时，我回想起曾是皮革剪切工的父亲。剪纸本是一项流行的犹太传统文化，而我也似乎成为其中一部分。我的素描线条清晰得如同裁剪形状一样，正是这些线条自然发展出了剪切式手法。
Speaking of my way of art, my family is almost not related to art. My father is a leather worker. I helped him in his leather workshop when I was young. Many years later, when I thought about how to create and cut all shapes and characters, I recalled the father of the leather shearer. Paper-cut is a popular Jewish traditional culture, and I also seem to be part of it. My sketch lines are as clear as cutting shapes, and it is these lines that naturally develop a shearing technique.
纽约马拉松赛, 2016
New York marathon, 2016
空艺术：从1965到1974年，你用了近十年的时间，在耶路撒冷、巴黎、纽约和伦敦四所知名高等艺术院校学习深造。不同的城市和文化让你有了怎样不同的感受？
Empty Art: from 1965 to 1974, you have spent nearly ten years studying in four well-known high art colleges and universities in Jerusalem, Paris, New York and London. How do different cities and cultures make you feel different?
大卫·歌诗坦：我21岁进入耶路撒冷的比撒列艺术学院，一年的学习后希望能去外面的世界看看，当时的艺术之都巴黎自然成为我的首选。1966年，我进入法国巴黎国立高等美术学院，努力学习“专业”：传统和古典绘画。巴黎在当时是一座政治色彩浓厚的城市，二战后的法国抽象前卫艺术处于复兴时期。当时参观了几位美国艺术家的展览后，我很快意识到艺术界的前线早已转移到了纽约。在那里，抽象表现主义、波普艺术和极简主义已蓬勃发展，并占据了五六十年代的艺术舞台。
David: I am 21 years old Geshitan entered Jerusalem Bezalel art academy, a year after learning to go to the outside world, the art of Paris has become my first choice. In 1966, I entered the national higher Academy of Fine Arts in Paris, France, and worked hard to study "professional": traditional and classical painting. Paris was a politically colored city at that time, and the French Abstract avant-garde art after World War II was in a revival period. After a visit to several American artists, I soon realized that the frontline of the art world had already moved to New York. There, abstract expressionism, pop art, and minimalism have flourished and occupied the art stage of the 50s and 60s.
喜悦幸福, 2008
Joy and happiness, 2008
在巴黎待了两年后，我去了大苹果“纽约”，并在纽约亲身经历了六十年代后期的艺术文化浪潮，日日夜夜发生在纽约画廊、美术馆甚至街道上的艺术事件完全吸引了我，这些热血澎湃的艺术气息，也成为后来我创作的一部分。
Stayed in Paris for two years later, I went to the big apple "New York", and in New York experienced the late 60s wave of art and culture, day and night in New York galleries, art galleries and even street art events completely attracted me, the blood surging art breath, has become a part of my later creation.
协奏, 2013
Concerto, 2013
1971年，我回到了以色列，并开始在比撒列艺术学院执教，我被这座城市深深地吸引。那时我创作了大量以城市风景为题材的画作。我聚焦于成群或单独的耶路撒冷人，并创作了风格化的肖像画和建筑室内场景。
In 1971, I returned to Israel, and started in the Bezalel Art Academy Manager, I was deeply attracted by the city. At that time, I created a large number of paintings on the theme of the city. I focused on Jerusalem people in groups or alone, and created stylized portraits and architectural scenes.
车队波浪, 2008
Fleet wave, 2008
又是两年后，我决定再次离开，前往伦敦，在英国圣马丁艺术学校开始长达两年的研究生学习，专攻蚀刻版画。这段时期，我创作了《阳台》系列画作还有其他很多作品，有我童年的回忆，也有对特拉维夫的敬意。
Two years later, I decided to leave again, to London, for two years of graduate study at the Saint Martin School of art in England, specializing in etchings. During this period, I created a series of paintings of "balcony" and many other works, with memories of my childhood and a respect for Tel Aviv.
车轮上的城市（局部）,2016
The city on the wheel (part), 2016
空艺术：70年代的以色列乃至全球艺术界都流行“极简主义”和各种观念艺术，你想为自己所坚信的“具像绘画”寻找出路，因此开创了“剪切式雕塑”艺术形式？
Empty Art: in 70s, Israel and even the global art circles were all "Minimalism" and all kinds of conceptual art. You want to find a way out for the "painting like" that you believe in, so you created the art form of "cut sculpture".
大卫·歌诗坦：那时，我刚从纽约回到以色列，马上开始在比撒列学院执教。当时在以
David Geshitan: at that time, I had just returned to Israel from New York, began in the Bezalel school coach immediately. At that time
In April 22, 2017, the first solo exhibition of Israeli artist David Costan (David Gerstein) in China was opened on the 1 and 2 floors of hall 3, hall of Today Art Museum in Beijing. Hundreds of pieces of sculpture exhibition shearing David Geshitan ten years of creation, the colors and the life theme presents boundless vitality and appeal.
“层像Layers”展览现场
"Layer like Layers" exhibition site
大卫·歌诗坦1944年出生于以色列耶路撒冷，以色列公共艺术家和雕塑家，也是以色列最具影响力的艺术家之一。他一直探求扩展绘画的边界，增加绘画的第三个维度——纵深的「剪切式雕塑」，是他为此进行的开创性尝试。
David Geshitan was born in 1944 in Jerusalem in Israel, the Israeli public artist and sculptor, is one of the most influential artist in israel. He has been exploring the boundaries of expanding painting and increasing the third dimensions of painting - the deep "shear sculpture", a pioneering attempt by him to do so.
Bicycle Riders,Taiwan,2014
Bicycle Riders, Taiwan, 2014
Momentum, Singapore, 2008
Momentum, Singapore, 2008
1987年，大卫·歌诗坦在以色列博物馆举办首次大型个展，“歌诗坦剪切式雕塑”为世人所熟知。大卫·歌诗坦年轻时曾在以色列、巴黎、纽约、伦敦等地著名艺术院校深造，他不为迎合市场需要而创作，也不故作姿态地炫耀艺术的深刻。而是从童年记忆和个人经历提炼主题，关注日常生活，用平实的视觉语言表达对艺术的敬畏、对生命的理解、对人性的热爱。
In 1987, David Geshitan at the Israel Museum held the first large-scale exhibition, "Geshitan shearing sculpture" known to the world. David Geshitan when he was young in the famous art colleges in Israel, Paris, New York, London and other places to study, he created not to meet the needs of the market, did not show the profound artistic posturing. It is to extract themes from childhood memories and personal experiences, to focus on everyday life, to express fear of art, to understand life and love for humanity in plain language.
A Peloton Wave,Taiwan,2014
A Peloton Wave, Taiwan, 2014
Riders, Taiwan, 2015
Riders, Taiwan, 2015
以色列户外雕塑
Israeli outdoor sculpture
关于在中国的首次个展，空艺术对话大卫·歌诗坦
On the China the first exhibition, empty art dialogue David Geshitan
艺术家大卫·歌诗坦
The artist David Geshitan
空艺术：以色列是个怎样的国家？在大家的印象中，从三教圣城耶路撒冷到预言世界的死海古卷，从永不陷落的马萨达到挥洒着文艺气息的特拉维夫，这个国家似乎融合现代精神和古代文明。
Air art: what kind of country is Israel? In everybody's impression, from the holy city of Jerusalem to the world religions prophecy Dead Sea scrolls, from never fall to sway Felipe dramas in Tel Aviv, the country seems to be the integration of modern spirit and ancient civilization.
以色列1948年建国，直到1967年全面占领耶路撒冷后，整个国家都有很大转变吧？相应在艺术上又如何？你又如何选择了艺术道路？
Since the founding of Israel in 1948 and the overall occupation of Jerusalem in 1967, the whole country has changed a lot? What is the corresponding art? How do you choose the art road?
大卫·歌诗坦：以色列是个神奇的国家。我的父母是从波兰回归到以色列，我出生在耶路撒冷，在以色列建国前四年，可以说是新以色列国的第一代人。以色列从建国到现在经历了很多转变，我们国家不大，但有来自世界各地不同种族信仰的人们共同生活于此。以色列的艺术也非常多元和丰富。而耶路撒冷和特拉维夫这两座城市尽管相距不远，但艺术环境却大相径庭。
David Geshitan: Israel is a magical country. My parents returned from Poland to Israel, and I was born in Jerusalem. In the four years before the founding of Israel, I could be said to be the first generation of new State of Israel. Israel has undergone many changes from the founding of the people's Republic to the present, and our country is not large, but there are people from different ethnic beliefs around the world. The art of Israel is also very diverse and rich. Although the two cities in Jerusalem and Tel Aviv are not far from each other, the artistic environment is quite different.
白色希望, 2009
White hope, 2009
马拉米购物区（局部）, 2016
Marami shopping area (part), 2016
说到我的艺术道路，其实我的家庭与艺术几乎没有联系，我的父亲是一名皮革工人，我少年时曾在他的皮革工作室里帮忙。多年后，当我思考为何创作和剪切各种形状和人物时，我回想起曾是皮革剪切工的父亲。剪纸本是一项流行的犹太传统文化，而我也似乎成为其中一部分。我的素描线条清晰得如同裁剪形状一样，正是这些线条自然发展出了剪切式手法。
Speaking of my way of art, my family is almost not related to art. My father is a leather worker. I helped him in his leather workshop when I was young. Many years later, when I thought about how to create and cut all shapes and characters, I recalled the father of the leather shearer. Paper-cut is a popular Jewish traditional culture, and I also seem to be part of it. My sketch lines are as clear as cutting shapes, and it is these lines that naturally develop a shearing technique.
纽约马拉松赛, 2016
New York marathon, 2016
空艺术：从1965到1974年，你用了近十年的时间，在耶路撒冷、巴黎、纽约和伦敦四所知名高等艺术院校学习深造。不同的城市和文化让你有了怎样不同的感受？
Empty Art: from 1965 to 1974, you have spent nearly ten years studying in four well-known high art colleges and universities in Jerusalem, Paris, New York and London. How do different cities and cultures make you feel different?
大卫·歌诗坦：我21岁进入耶路撒冷的比撒列艺术学院，一年的学习后希望能去外面的世界看看，当时的艺术之都巴黎自然成为我的首选。1966年，我进入法国巴黎国立高等美术学院，努力学习“专业”：传统和古典绘画。巴黎在当时是一座政治色彩浓厚的城市，二战后的法国抽象前卫艺术处于复兴时期。当时参观了几位美国艺术家的展览后，我很快意识到艺术界的前线早已转移到了纽约。在那里，抽象表现主义、波普艺术和极简主义已蓬勃发展，并占据了五六十年代的艺术舞台。
David: I am 21 years old Geshitan entered Jerusalem Bezalel art academy, a year after learning to go to the outside world, the art of Paris has become my first choice. In 1966, I entered the national higher Academy of Fine Arts in Paris, France, and worked hard to study "professional": traditional and classical painting. Paris was a politically colored city at that time, and the French Abstract avant-garde art after World War II was in a revival period. After a visit to several American artists, I soon realized that the frontline of the art world had already moved to New York. There, abstract expressionism, pop art, and minimalism have flourished and occupied the art stage of the 50s and 60s.
喜悦幸福, 2008
Joy and happiness, 2008
在巴黎待了两年后，我去了大苹果“纽约”，并在纽约亲身经历了六十年代后期的艺术文化浪潮，日日夜夜发生在纽约画廊、美术馆甚至街道上的艺术事件完全吸引了我，这些热血澎湃的艺术气息，也成为后来我创作的一部分。
Stayed in Paris for two years later, I went to the big apple "New York", and in New York experienced the late 60s wave of art and culture, day and night in New York galleries, art galleries and even street art events completely attracted me, the blood surging art breath, has become a part of my later creation.
协奏, 2013
Concerto, 2013
1971年，我回到了以色列，并开始在比撒列艺术学院执教，我被这座城市深深地吸引。那时我创作了大量以城市风景为题材的画作。我聚焦于成群或单独的耶路撒冷人，并创作了风格化的肖像画和建筑室内场景。
In 1971, I returned to Israel, and started in the Bezalel Art Academy Manager, I was deeply attracted by the city. At that time, I created a large number of paintings on the theme of the city. I focused on Jerusalem people in groups or alone, and created stylized portraits and architectural scenes.
车队波浪, 2008
Fleet wave, 2008
又是两年后，我决定再次离开，前往伦敦，在英国圣马丁艺术学校开始长达两年的研究生学习，专攻蚀刻版画。这段时期，我创作了《阳台》系列画作还有其他很多作品，有我童年的回忆，也有对特拉维夫的敬意。
Two years later, I decided to leave again, to London, for two years of graduate study at the Saint Martin School of art in England, specializing in etchings. During this period, I created a series of paintings of "balcony" and many other works, with memories of my childhood and a respect for Tel Aviv.
车轮上的城市（局部）,2016
The city on the wheel (part), 2016
空艺术：70年代的以色列乃至全球艺术界都流行“极简主义”和各种观念艺术，你想为自己所坚信的“具像绘画”寻找出路，因此开创了“剪切式雕塑”艺术形式？
Empty Art: in 70s, Israel and even the global art circles were all "Minimalism" and all kinds of conceptual art. You want to find a way out for the "painting like" that you believe in, so you created the art form of "cut sculpture".
大卫·歌诗坦：那时，我刚从纽约回到以色列，马上开始在比撒列学院执教。当时在以
David Geshitan: at that time, I had just returned to Israel from New York, began in the Bezalel school coach immediately. At that time
