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金属雕塑的制作方法
(一)制作金属雕塑方法之设计形状
(1) Design Shape of Method of Making Metal Sculpture
我们能够看到的每一款金属雕塑，都源于最初的设计，只有设计好了金属雕塑的具体形状、大小，才能够更好的进行下一步的操作，设计者才能够确定所要选用的材料，才能够决定好一些制作过程中的小细节。
Every metal sculpture we can see originates from the original design. Only when the specific shape and size of the metal sculpture are designed, can the next operation be carried out better. Only when the designer can determine the material to be selected, can he decide on some details in the production process.
(二)制作金属雕塑方法之做泥塑
(2) Making clay sculptures by means of making metal sculptures
设计好雕塑的形状之后，就要进行雕塑的原身—泥塑的设计了。在制作泥塑的时候只要根据的设计进行就可以了，不过为了更好的保证雕塑成型后的质量，不能够忽视泥塑的大小、形状，同时泥塑的湿度也是很重要的，只有当泥塑的湿度一定的标准的时候，才能够下一步工作。
After the shape of the sculpture has been designed, the original body of the sculpture - clay sculpture has to be designed. In the production of clay sculpture, as long as according to the design can be done, but in order to better ensure the quality of the sculpture after shaping, we can not ignore the size and shape of clay sculpture, while the humidity of clay sculpture is also very important, only when the humidity of clay sculpture is a certain standard, can we work next.
(三)制作金属雕塑方法之翻阴模
(3) Turn-over mould of metal sculpture method
把处理好的泥塑进行翻阴模的处理是比较细致的一个活，首先阴模要有一定的厚度，只有这样才能够保证阴模的成型效果。然后不能够忘记的是要在外围用木枋做成一个统一的接触面，接着就可以将阴，模里面的泥坯去掉了。当然这个时候不能够忘记的是，用填充物模具进行一定的修整工作，做完这个工作，金属雕塑的制作就基本完工了。
It is a more meticulous work to turn over the mold of the treated clay sculpture. Firstly, the mold should have a certain thickness, only in this way can the forming effect of the mold be guaranteed. Then we can't forget that we should make a unified contact surface with wooden loquat on the periphery, and then we can remove the mud in the mould and yin. Of course, at this time, we can not forget that the metal sculpture production will be basically completed by finishing the work with filler mold.
(1) Design Shape of Method of Making Metal Sculpture
我们能够看到的每一款金属雕塑，都源于最初的设计，只有设计好了金属雕塑的具体形状、大小，才能够更好的进行下一步的操作，设计者才能够确定所要选用的材料，才能够决定好一些制作过程中的小细节。
Every metal sculpture we can see originates from the original design. Only when the specific shape and size of the metal sculpture are designed, can the next operation be carried out better. Only when the designer can determine the material to be selected, can he decide on some details in the production process.
(二)制作金属雕塑方法之做泥塑
(2) Making clay sculptures by means of making metal sculptures
设计好雕塑的形状之后，就要进行雕塑的原身—泥塑的设计了。在制作泥塑的时候只要根据的设计进行就可以了，不过为了更好的保证雕塑成型后的质量，不能够忽视泥塑的大小、形状，同时泥塑的湿度也是很重要的，只有当泥塑的湿度一定的标准的时候，才能够下一步工作。
After the shape of the sculpture has been designed, the original body of the sculpture - clay sculpture has to be designed. In the production of clay sculpture, as long as according to the design can be done, but in order to better ensure the quality of the sculpture after shaping, we can not ignore the size and shape of clay sculpture, while the humidity of clay sculpture is also very important, only when the humidity of clay sculpture is a certain standard, can we work next.
(三)制作金属雕塑方法之翻阴模
(3) Turn-over mould of metal sculpture method
把处理好的泥塑进行翻阴模的处理是比较细致的一个活，首先阴模要有一定的厚度，只有这样才能够保证阴模的成型效果。然后不能够忘记的是要在外围用木枋做成一个统一的接触面，接着就可以将阴，模里面的泥坯去掉了。当然这个时候不能够忘记的是，用填充物模具进行一定的修整工作，做完这个工作，金属雕塑的制作就基本完工了。
It is a more meticulous work to turn over the mold of the treated clay sculpture. Firstly, the mold should have a certain thickness, only in this way can the forming effect of the mold be guaranteed. Then we can't forget that we should make a unified contact surface with wooden loquat on the periphery, and then we can remove the mud in the mould and yin. Of course, at this time, we can not forget that the metal sculpture production will be basically completed by finishing the work with filler mold.
