| 雕塑的产生和发展 |
| 添加时间：2019/1/9 14:18:02 浏览次数： |
| 雕塑的产生和发展 The Origin and Development of Sculpture 雕塑的产生和发展与人类的生产活动紧密相关，同时又受到各个时代宗教、哲学等社会意识形态的直接影响。在人类还处于旧石器时代时，就出现了原始石雕、骨雕等。雕塑是一种相对永久性的艺术，传统的观念认为雕塑是静态的、可视的、可触的三维物体，通过雕塑诉诸视觉的空间形象来反映现实，因而被认为是最典型的造型艺术、静态艺术和空间艺术。 The emergence and development of sculpture is closely related to human production activities, and at the same time, it is directly influenced by social ideology such as religion and philosophy in various times. When human beings were still in the Paleolithic Age, primitive stone carvings and bone carvings appeared. Sculpture is a relatively permanent art. The traditional concept holds that sculpture is a static, visible and touchable three-dimensional object, which reflects reality by resorting to visual spatial image. Therefore, it is considered as the most typical plastic art, static art and space art. 随着科学技术的发展和人们观念的改变，在现代艺术中出现了反传统的四维雕塑、五维雕塑、声光雕塑、动态雕塑和软雕塑等。这是由于爱因斯坦的相对论的出现，冲破了由牛顿学说建立的世界观，改变着人们的时空观，使雕塑艺术从更高的层次上认识和表现世界，突破三维的、视觉的、静态的形式，向多维的时空心态方面探索。 With the development of science and technology and the change of people's concept, anti-traditional four-dimensional sculpture, five-dimensional sculpture, acoustooptic sculpture, dynamic sculpture and soft sculpture have appeared in modern art. This is because Einstein's theory of relativity broke through the world outlook established by Newton's theory, changed people's space-time outlook, enabled the sculpture art to understand and express the world from a higher level, broke through the three-dimensional, visual and static form, and explored the multi-dimensional space-time state. |
| 上一页 雕塑的类型 |
| 下一页 雕塑金属元素 |
Copyright © 技术支持：遨游网络